“Marie’s Fear” by Lucia Tenerelli

My mom arrived at Penn Station in NYC on November 24, 1954, the day before Thanksgiving. I asked her many years ago about her ride from NYC to Los Angeles. She said she slept most of the time. But remembers waking up at one point and a black man was sitting across the aisle from her. Growing up in a convent in southern Italy, she never saw a black man before. She stared at the man for a long time before her father slapper her across the face and said not to stare.

I grew up with stories. Immigrant stories. Stories of my grandfather “jumping ship” to get into the US, of my father and uncle driving Route 66 from Chicago to Los Angeles in their 1955 Pontiacs, of my mom being raised by nuns in a convent in post-WWII southern Italy, of my Uncle Filippo being murdered by members of the Manson Family in Bishop, CA in 1969. All true stories.

One of the most influential stories to me as a writer was written by my mom when she was a junior in high school. The writing assignment was for students to write a story about their childhoods. My mom wrote about her best friend, Marie, an orphan who she grew up with in the convent in Molfetta, Italy. I’m amazed at the level of fear my mom was able to convey with a limited English vocabulary. And the level of terror my mom must have lived with as a child.

My mom swears the story is true: Marie’s Fear_Lucia Tenerelli

“Lost in the Garden”: getting started

Yesterday I raved about the first paragraph of Grace Paley’s story, “A Conversation with My Father.” I envied at how Paley is able to make me keep reading.

Today, I work on the first paragraph of my own story, “Lost in the Garden.” I’ll read and reread it many times. If it bores me after a while, then I’ll get rid of it.

But for now, the paragraph provides me with enough to keep writing.

“My sisters and I called Uncle Joey ‘Uncle Crazy’ because he used to offer us cigarettes when we were kids. I must have been nine when he told me to hold his lit cigarette before he jumped into a neighbor’s yard to pick a pomegranate from their tree. When he came back over the fence, he told me, ‘Keep the smoke.’ He turned from me and lit another one.”

 

Write Every. Single. Day.

Writers love reading. It’s through reading that we see how to begin and end stories, string words together to create an image, and make readers turn the page.

Before I write the beginning of any story, I reread Grace Paley’s “A Conversation with My Father” because the first paragraph is my favorite story beginning.

“My father is eighty-six years old and in bed. His heart, that bloody motor, is equally old and will not do certain jobs any more. It still floods his head with brainy light. But it won’t let his legs carry the weight of his body around the house. Despite my metaphors, this muscle failure is not due to his old heart, he says, but to a potassium shortage. Sitting on one pillow, leaning on three, he offers last-minute advice and makes a request.”

Paley could have just written “His heart is equally old…” but instead added “that bloody motor” to paint a more vivid picture. And the sentence, “It still floods his head with brainy light” seems unnecessary, but instead adds a clear sense of the father’s character. The last few words, “…he offers last-minute advice and makes a request”, leave me wondering about a dying father’s advice and request. I often marvel at an author’s ability to turn words into a reader’s tears. Envy is the sin of every writer.

Write Every. Single. Day.

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My plan is to write. Every. Single. Day.

I’ll begin today with some secrets, lies, and confessions. Consider them a cross between a bio and a literary sex tape:

My father had a pet pig named Franco when he was a kid in Italy.

When I was six I was afraid the Devil would kill me in my sleep, so I slept with a Bible and a cross made out of a dried palm tree fronds. That went on for two years.

Ever since watching the movie E.T., I’ve had a recurring dream that I jump off a curb on my bike and end up flying high in the sky.

When I was in 3rd grade, a girl poked me in my ribs with a sharp pencil during math section. I bled through my light blue t-shirt. Ms. Alexander made Jeannie apologize, and benched her during recess and lunch for two days. All because I told Jeannie I had rib cancer.

I was the only kid on my block to climb Bird Turd Mountain without using a rope. Mike dared me to do it, and so I did. He tried to climb the mountain without rope after me, but slipped and fell to the bottom. That’s how he broke his arm. He told everyone that I pushed him because he reached the top before me.

I gave Scott, my 3rd grade friend, the Playboy magazine that I found under the Festividad bridge. He told his mom how he got it, and we weren’t allowed to play together anymore.

I had a crush on Mrs. Collier, my 5th grade teacher. I pretended not to understand math so I could stay after school with her for tutoring.

I rolled a car tire in front of Patrick as he raced his bike down a hill, pedaling towards the jump ramp. I felt bad for hurting him, and shame when the older boys called me a dick.

Three of my poems were published in my junior high school literary journal. One of the poems was plagiarized from a Styx song, “I’m Okay”, because it described how I was feeling in a way I couldn’t.

I had only 5 absences throughout high school—1 was unexcused.

My cousin, Johnny, and I collected reward money for a lost cat, even though we never found it. We told the upset owner that we saw the cat and it was dead in the street.  We walked with her to a dark oil spot in the street by the corner stop sign. We said the oil spot was blood, and someone must have thrown the cat in the trash.  She gave Johnny and I each $5 for telling her the sad news. A few days after receiving the reward money for the lost cat, I gave it back. The upset owner thanked me for my honesty, and never again waved at me as she drove past.

I quit biting my fingernails and smoking cigarettes on April 3, 2006.

During a lesson on comma usage I jokingly told the students that I was one of four “Comma Experts” in the world recognized by the Modern Language Association. A few students believed me and I never told them the truth.

“Orientation” by Cosimo Giovine

Robert led me to meet the other new hires. We passed through a labyrinth of narrow cubicles, office chatter humming around us. From behind, the seat of his pants sagged like a diaper and and his toupee resembled wet hay.

Upon entering the conference room I took a seat next to a woman who picked vigorously at her cuticles, ignoring the tiny blood droplets that had formed. The other new hire was sitting up straight, his face pale and full of chin, dark hair slick with gel and combed precisely from left to right. The cuticle-picking woman looked up, made eye contact with me, and smiled. Her teeth were white, too white–no doubt from excessive treatments. She said, “Hi,” and the man simply nodded, keeping his head down, eyes fixed on a few employee forms staring up at him.

Robert hurried to the far end of the conference table to retrieve my new employee packet from a box labeled “New Employee’s Forms.” The dark wood tabletop of the conference table glistened and reflected the other two new hires’ faces. From where I sat, their reflections appeared to be grotesque, features twisted and hair hideously spiked, as if on fire. The room got cooler. In that room, quiet as it was, I wanted to speak, let the others know that I too was nervous and unsure of my future. I didn’t want to work as an “administrative assistant.” Like the other MBA graduates, I took what I could get. Like my classmates, my diploma was filed away in a box in a closet next to the loan consolidation forms.

As Robert set a packet before me, he whispered, “Read over these two forms and sign the bottom.” With the tip of a black pen, he pointed to the section of the form titled “Annual Compensation.” He said, “Initial next to the dollar figure.” From the corner of my eye, I saw the other two hires straining to decipher my annual salary and not look obvious about it. Perhaps, the knowledge that they made more or less than me would bring them some comfort—superiority or inferiority was the rule of the new world I was about to enter.

Robert stood across from me, gazed at his watch, and then yawned. On the tabletop, his reflection seemed to have more of a funhouse mirror look to it. The reflection made his eyes seem narrowly spaced, and his mouth stretched wide open, as if in a silent scream. “Just to let you know, this coming up Friday will be my last day. I know you three interviewed with me, and took the job based on the impression that you’ll be working for me. My replacement will be Janie Cortez, the HR Manager. She should be here any moment to introduce herself.”

He stood motionless and quiet, with his arms crossed in front of his chest. Robert started to fidget with the pen in his shirt pocket. My sigh was loud enough that the man and woman looked over at me. In those moments, I questioned my decision to take the job. I was going to be a member of a “support team,” responsible for answering phones, typing offer letters, taking minutes in meetings, and cover phones at breaks.

My thoughts were interrupted when Janie entered the room and said “Good morning” in a low toned yet jovial voice. When I glanced up at her, she immediately made eye contact with me and said, “You must be Frank?”

I said, “Yes, I am,” stuttering on the Y for a moment.

Janie perked up and said, “Don’t be nervous, we’ll get through this together. We’re a team, right? Let’s get to know one another.” She sat next to the man.

After a moment of Janie introducing herself to the two others, I learned their names: Michael and Bertha. They both had recently moved to L.A. from Des Moines and Kansas City, respectively. We all sat at the table quietly as Janie opened her planner. She removed a piece of paper from the front pocket, unfolded and then placed it on the table in front of her. Running her palm over the paper, she tried to iron out the creases. She read from the paper, “I’d like to take a moment and welcome you to the Ameritron Human Resources team. You are going to be part of a team whose goal is to provide excellent service to the company.” Her voice began to crack as she continued, “Although Robert will be leaving his position, I will do my utmost to provide you with premier leadership, resources to perform a stellar job, and a clear vision.” She looked up from the prepared statement and asked, “At this time, what questions do you have?”
I squirmed in my chair, as Robert paced in the small floor space he had staked out. Bertha asked, “Will our jobs be the same as Robert described?”

“Yes.” Janie answered as she unwrapped and placed a yellow throat lozenge on her tongue.

I struggled not to stare at Janie’s reflection on the tabletop. I didn’t want my first impression to be that I didn’t pay attention when she spoke. But I was dying to see how hideous her reflection looked. As she focused on Bertha for a moment, I quickly glanced at her reflection. Each glance allowed me to assemble the refracted images in my mind until what was formed resembled a pieced together face: hair line stitched to her forehead, eyes crudely set into her eye sockets, mouth stapled to her lower face, cheek bones arranged sloppily.

I sat quietly and observed. The Michael and Bertha were struggling to form an intelligent, business-like inquiry of our new boss. The reflections on the tabletop were motionless. Each face warped in the silence.

Janie broke the awkward moment by saying, “Don’t worry, we’ll have fun.” Robert sat down next to me and Janie smiled at him. She repeated, “We’ll have fun.” I wasn’t so sure.

*Original publication at Web Del Sol

Vatican City, Las Vegas

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Vatican City, Las Vegas
Story by F. Rex; art by T. Wolfinger; edits by C. Giovine.
Burbank, CA: ICCC Media Inc., 2006

Reviewer: Cosimo Giovine, December 4, 2007

There are very few revolutionary expressions anymore. But when one comes along, I jump at the chance to support the effort. So recently, when editing the graphic novel, Vatican City, Las Vegas, I worked with the graphic novelist, Fred Rex, to balance the comedic yuks and complex conversation in a text that explores all that’s rebellious, righteous and repugnant. Although not the revolutionary expression of the day, it’s a revolutionary expression that ultimately exposes humanity’s sores.

The characters in Vatican City, Las Vegas are embodiments of once revolutionary ideas. Yet when coaxed into captivity through the lure of material excess, they rattle their mortal cages and eventually dissolve. For Thomas Carlyle, the once celebrated Victorian writer and main character, disintegrates into nothing. His love for the virginal Mona unrequited. His need for a saving drink unmet. His revolutionary ideas perish unrealized.

Once the fires of revolution become self-consuming, damnation follows. For the patron pilgrims of Vatican City, Las Vegas, damnation begins with the hunger for material acquisition and ends with the acquisition of their souls. For Carlyle, his damnation begins and ends in an unconscious state, choking on the remains of his once revolutionary rhetoric. So passeth the author in a city that hath no need of the sun. Blot his name out of the Book of Life.

Get your copy of Vatican City, Las Vegas at Amazon

*Original post: Clark College Library Book Reviews

 

“Dream Book” by Cosimo Giovine

Glimmer Train, Very Short Fiction Contest, Finalist, May 2007

“Dream Book”

I remember scurrying out of bed and rushing to the living room where Ma sat with the dream book in her lap. I squeezed into the narrow space between her hips and the couch armrest. Browsing the pages of the book for an interpretation of her dream, her finger stopped on the word “darkness.” She annunciated the big words as she read the interpretation. The corners of the pages were frayed from the daily ritual of interpreting dreams. The book was always centered on the coffee table in the living room.

I wiggled with impatience waiting for Ma to finish looking up her dream and to ask me about mine. It’s what we had in common, my mother and I. The retelling of dreams let me see her secrets as they were unraveled and revealed to me through scenes of fright and bliss. She said in the dream she was surrounded by darkness as I played on the swings at the park.   The darkness began to squeeze until she couldn’t breathe. She collapsed beside me in the sandbox. Twilight was beginning to form on the hills. The faint light was bright enough that she could see the gold and silver flints of light on the clouds. She struggled to stand up, but couldn’t get her body to move. Then she awoke. But moments before she woke up, a voice from the darkness said something. She couldn’t recall the words that were said, but she recognized the voice.

She stared out the living room window for a moment before asking me, “What’d you dream?” In a smooth stream, I unleashed the images of my dream: God had spoken to me. I was in the back seat of our brown Pinto station wagon as we sped up the San Fernando Road on-ramp to the freeway. I looked over to my right towards the Eternal Valley Cemetery and from over the hill, a brilliant display of colors refracted across the sky just above the cemetery. A dark brown glow hovered above the collection of plots, and made the green grass look muddy. Then a voice whispered to me, the whisper became a growl, and the growl a boom, and then the boom became a thunderclap. It began to rain silver streaks. When I woke up, my ears were ringing.

I leaned back against the chair and watched as Ma searched the pages for an interpretation. On a previous morning, the dream book interpreted my dream of climbing stairs as a sign that I’d receive riches. That same day when digging in the sandbox, I found a bottle cap.

Ma asked what God said, but I couldn’t remember. I replayed the dream over and over in my mind: replaying the drive up the on-ramp, the brown cloud, the voice, but nothing came to mind. I had a dream that God spoke to me and I couldn’t remember what was said.

We both sat still for a moment or two. Ma closed her eyes and hung her head. I went back to wondering what God said to me in my dream.